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  • ARTIST STATEMENT
  • Slowing down to discover how the familiar is unfamiliar in nature has enhanced my vision as a painter. The ephemeral and elemental experiences in nature are a spiritual guide to help explore painting as a journey of discovery as well as invention. The elements of nature, in flux and change, decay and growth, become a metaphor for the process of painting. I am drawn to these elements as they transcend time and place.
  • Through the lens of the natural—the bombardment of technological advances and scientific imagery in daily life has affected my understanding of self and place in the natural world. What we know and question through science changes my relationship to the natural world and expands my visual lexicon and perceptions of geologic time, the biological, and the organic. Understanding the natural process—the phenomenon, the science—conjures the imagination. I am attempting to create something that invokes an experience that is as powerful and felt to me as that which I may happen upon in nature.
  • In my work, I respond to the process of painting as it cues the sensation of the natural. Often unnatural or manmade processes or materials synthesize the natural. As my work becomes more process-oriented through the puddling, pooling, staining, repelling, and spreading of paint or its layering, building, or accumulation—a morphology of the natural world occurs, blurring the line between the natural and unnatural.
  • Looking toward the macro and micro worlds one sees organizing principles, processes, and patterns that mirror or question the human/nature relationship. I am interested in how nature's role in society has changed throughout history. Through my work I hope to better understand nature as a primal source in a complex and ever-changing world in need of preservation and restraint.
  • BIOGRAPHY
  • Kevin Bernstein's paintings and works on paper look towards the macro and micro worlds and explore the interconnectedness of man, nature, and science.
  • He received his MFA in Painting from the University of Washington, Seattle and his BFA from the Rhode Island School of Design. He has exhibited his work throughout the United States and internationally.
  • Recent selected group exhibition venues include: "Energy," International Exhibition, Orange County Center for Contemporary Art (OCCCA) (Howard N. Fox, juror) Curator Emeritus of Contemporary Art, Los Angeles County Museum of Art (LACMA), "Tarfest 2011," KCCLA Gallery (Nancy Meyer, juror) Curatorial Assistant of Contemporary Art, (LACMA), "54th Chautauqua Annual Exhibition of Contemporary Art," Strohl Art Center Chautauqua Institution (Jim Kempner, juror) Jim Kempner Fine Art, NYC, Chautauqua, NY, "Tarfest 2010," KCCLA Gallery (Edward Robinson, juror) Associate Curator of LACMA.
  • He was awarded the Ellie Wilder Award from juror Jim Kempner at the 54th Chautauqua Annual and recently completed a Centrum Artist Residency as a recipient of Russell Jaqua Award for Artistic Excellence.
  • He is currently Assistant Professor of Art and Area Coordinator of 2D Foundations and serves as Graduate Painting Faculty in the Department of Art at Kansas State University.
  • Kevin Bernstein